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| − | + | Look of the Week: Julia Fox recreates ‘the Birth of Venus’ at Oscars after-party [https://kra27c.cc/ kraken сайт] | |
| − | + | On Sunday night, after the biggest awards night of the year had wrapped up, celebrities made a quick change and headed to the official after-party annually hosted by Vanity Fair — where more unconventional fashion choices are able to shine. Some stars, such as Sydney Sweeney, came dripping in crystals, while others, including Emma Chamberlain, were laced up in leather. There were also looks in vintage lace over 30 years old, oodles of polka dot ruffles and feathers hot off the Milanese runway. But one surprising textile was head and shoulders above the rest. | |
| − | + | Julia Fox, the enfant terrible of red carpet fashion, stood out wearing a naked dress, designed by Dilara Findikoglu, adorned only by carefully placed locks of dark curly hair. As Fox stared ahead into the sea of paparazzi cameras, she looked mythical like a freshly emerged mermaid with long black-brown tresses coiled around her body, attempting to cover her modesty. | |
| − | + | The dress debuted just two weeks ago during London Fashion Week, where it was shown alongside Findikoglu’s tattooed leather gowns, seashell encrusted corsets and pubic –bone-exposing pants. The collection, titled “Venus from Chaos,” was inspired by Findikoglu’s vision of a post-apocalyptic liberated female society, where “the gravity of patriarchal oppression is countered by the power of conviction and lightness of imagination,” she had written in her show notes. | |
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Aktuelle Version vom 6. März 2025, 20:02 Uhr
kraken сайт[Bearbeiten]
Look of the Week: Julia Fox recreates ‘the Birth of Venus’ at Oscars after-party kraken сайт
On Sunday night, after the biggest awards night of the year had wrapped up, celebrities made a quick change and headed to the official after-party annually hosted by Vanity Fair — where more unconventional fashion choices are able to shine. Some stars, such as Sydney Sweeney, came dripping in crystals, while others, including Emma Chamberlain, were laced up in leather. There were also looks in vintage lace over 30 years old, oodles of polka dot ruffles and feathers hot off the Milanese runway. But one surprising textile was head and shoulders above the rest.
Julia Fox, the enfant terrible of red carpet fashion, stood out wearing a naked dress, designed by Dilara Findikoglu, adorned only by carefully placed locks of dark curly hair. As Fox stared ahead into the sea of paparazzi cameras, she looked mythical like a freshly emerged mermaid with long black-brown tresses coiled around her body, attempting to cover her modesty. The dress debuted just two weeks ago during London Fashion Week, where it was shown alongside Findikoglu’s tattooed leather gowns, seashell encrusted corsets and pubic –bone-exposing pants. The collection, titled “Venus from Chaos,” was inspired by Findikoglu’s vision of a post-apocalyptic liberated female society, where “the gravity of patriarchal oppression is countered by the power of conviction and lightness of imagination,” she had written in her show notes.
